#5: The Long Take
Many modern movies chop action into tiny fragments. Tarantino often lets the camera glide, wait, and observe. His long takes give scenes a sense of choreography, whether characters are walking through a restaurant, circling each other in a room, or preparing for violence that may or may not arrive. The camera feels patient, almost classical. It trusts blocking, performance, and suspense. That confidence belongs to an older filmmaking tradition where movement was composed, not shredded.

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