#15: Violent Stylization
Tarantino violence rarely aims for plain realism. Blood sprays like paint, gunshots become punctuation, and wounds often sit somewhere between horror, comedy, and opera. This stylization recalls old exploitation and samurai cinema, where violence could be shocking, beautiful, grotesque, and absurd all at once. He does not hide the artificiality. He leans into it. The result feels less like modern realism and more like cinema remembering its own carnival roots.

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