#4: Elmer Bernstein – The Magnificent Seven, To Kill a Mockingbird
Bernstein didn’t just score westerns; he gave them their rhythm. He started his career with The Magnificent Seven, where he gallops musically, its theme brimming with courage and dust. Years later, he slowed things down for To Kill a Mockingbird, listening to the quiet streets of Maycomb through Scout’s perspective. That ability to shift from bold heroics to intimate stillness made him one of the most versatile composers of his time.

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